Ines Lechleitner / Les Poppys

March 4th, 2016


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Ines Lechleitner at Nagel Draxler



Les Poppys – “Des Chansons Pop”

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Every so often Bryce posts an image of an artwork published on Contemporary Art Daily alongside a music video published on his personal blog.


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March 2, 2016

March 2nd, 2016


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Sometimes Forrest posts snapshots from around the workplace.


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February 16, 2016

February 16th, 2016


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Sometimes Forrest posts snapshots from around the workplace.


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Updated Adele Röder Images

February 15th, 2016


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We recently updated the documentation of an Adele Röder show at Haus der Kunst that we published in January. The new images, which you can see here, show Röder’s neon works as the sole illuminating elements in the exhibition space.


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Contemporary Art Blur

December 18th, 2015


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Contemporary Art Blur, a site we learned about this week.


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Quarterly: Lutz Bacher Slides

December 17th, 2015


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Documentation for eight of the over 30 Lutz Bacher exhibitions we released this week on Contemporary Art Quarterly previously existed only as slides in these five binders. We digitized them as part of our archival process. This group of materials even includes a video of Pat Hearn giving a tour of Bacher’s 1993 exhibition at her gallery.


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Quarterly: Two New Ei Arakawa Projects

November 29th, 2015


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We’ve just added two projects from 2014 to Ei Arakawa’s Quarterly archive, courtesy of the artist: Bakhneli Archive from The Museum of Modern Art, Warsaw, and Sunflower Sutra from Rise Projects/The Silvie Fleming Collection, London.


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November 24, 2015

November 24th, 2015


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Sometimes Forrest posts snapshots from around the workplace.


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Ian Rosen / Cocteau Twins

November 12th, 2015


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Ian Rosen at Essex Street


Cocteau Twins – “Pink Orange Red”

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Every so often Bryce posts an image of an artwork published on Contemporary Art Daily alongside a music video published on his personal blog.


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A year-long film by Juliette Blightman

August 26th, 2015


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Portraits & Repetition is a new film by Berlin-based artist Juliette Blightman commissioned by the South London Gallery, presented as a continuous online screening for one year, launching August 26, 2015.

Over time, the dedicated website for her project will constantly change, revealing only one fragment of the entire film at any given time. Each presented item, whether an audio clip, image or film, will have its own duration, a malleable portion of time that can stretch from a couple of seconds to days or weeks at a time. Read on here.

See our selected coverage of Juliette Blightman’s exhibitions here.


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